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“I’m really proud to be a part of one of the voices of Broadway this year,” said Anna D. The problem is getting the audience into the theater to see the show.”Ĭlick here to sign up for our free, seven-day newsletter course on legal cannabis in Connecticut.ĭespite a glut in inventory and not enough consumers, there were clear game-changers, like “A Strange Loop,” a musical about a gay Black playwright, that captured a leading 11 nominations, besting establishment options like a Hugh Jackman-led “The Music Man.” Broadway veterans agree that extraordinary storytelling was available for those hardy souls who bought tickets. “In past seasons, had there been a play with seven Tony nominations and this bevy of glowing reviews, the show would have gone on for quite a while,” says Simons, the lead producer.
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It earned strong notices and a whopping seven Tony nominations. The cast of seven Black women included deaf actor Alexandria Wailes and, until recently, a pregnant Kenita R. One of the most painful blows was a revival of Ntozake Shange’s “for colored girls,” which struggled to find an audience. “Thoughts of a Colored Man” closed early because it didn't have enough healthy actors, at one point enlisting the playwright himself to get onstage and play a role. Several of the Black-led productions came up short, including “Thoughts of a Colored Man,” “Chicken and Biscuits,” and "Pass Over." They debuted in the fall, just as Broadway was slowly restarting and audiences were most fearful. Skittish theater-goers who returned often had an appetite for only established, comfort shows. The various mutations of COVID-19 sickened actors in waves and starved many box offices of critical funds. I’m really proud to be up there with all the actors,” says Thornton, who uses his wheelchair as a cunning asset to play the savvy nobleman Lennox.īut while representation was seen across Broadway this season so was an invisible virus that didn't care. “If all the world’s a stage, our stage certainly is the world. “Macbeth,” directed by Sam Gold, has a Black Lady Macbeth in Ruth Negga, a woman taking on a traditional male role (Amber Gray plays Banquo), a non-binary actor (Asia Kate Dillon) and disability representation (Michael Patrick Thornton). Perhaps nowhere is the diversity more apparent than in the oldest play currently on Broadway. Shively, an actor nominated for “Paradise Square.” “I really hope that trend continues.” “I’m very, very excited about all the new voices we’re hearing, all the new new writers who are represented on Broadway for the first time,” said A.J. Jackson and “Paradise Square” co-book writer Christina Anderson.
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Adam Rigg, scenic designer of “The Skin of Our Teeth,” became the first out agender designer nominated and Toby Marlow, “Six” co-creator is the first out nonbinary composer-lyricist nominated.Įleven performers - including Jaquel Spivey from “A Strange Loop,” Myles Frost in ”MJ” and Kara Young from “Clyde’s” - received a nod for their Broadway debut performances and 10 designers received nominations for their Broadway debuts, as did creators like “A Strange Loop” playwright Michael R.
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Other firsts this season included L Morgan Lee of “A Strange Loop” becoming the first out trans performer to be nominated for a Tony. The new crop of nominees also boasts more women and people of color in design categories, such as first-time nominees Palmer Hefferan for sound design of a play (“The Skin of Our Teeth”), Yi Zhao for lighting design of a play (“The Skin of Our Teeth”) and Sarafina Bush for costume design of a play (“for colored girls who have considered suicide/ when the rainbow is enuf”). “Let’s hope that the diversity that we saw in the season continues to be the norm for Broadway, that this isn’t just an anomaly or a blip in reaction to what we’ve been through, but just a reset,” said Lynn Nottage, the first writer to be nominated for both a play ("Clyde’s") and musical ("MJ") in a single season. There are 16 Black performance nods out of 33 slots - a very healthy 48%.īy comparison, at the 2016 Tonys - the breakout season that included the diverse “Hamilton,” “Eclipsed” and “The Color Purple” revival - 14 of the 40 acting nominees for plays and musicals or 35% were actors of color. Multiple Black artists were nominated in every single performance category, including three of five featured actors in a musical, four of six featured actresses in a play, two of seven leading actors in a play and three of five leading actresses in a play.